News & Recent Acclaim

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London Is the Place for Me Vols 7 & 8 reviewed at the Guardian

March 11, 2020

Lina_Raül Refree's S/T reviewed at Pitchfork

March 11, 2020

Brunhild Ferrari/Jim O’Rourke's Le Piano Englouti reviewed at Pitchfork

March 11, 2020

Música Esporádica's S/T reviewed at Pitchfork

March 11, 2020

Robert Ashley's Automatic Writing and Improvement (Don Leaves Linda) reviewed at Pitchfork

Dec. 30, 2019

Kristin Anderson interviewed at Women In Vinyl

Dec. 30, 2019

Sarah Hennies' Reservoir 1 featured in NPR Music's "Viking's Choice"

Dec. 20, 2019

Sean McCann's Puck reviewed at Pitchfork

Dec. 17, 2019

Shed's Oderbruch reviewed at Pitchfork

Dec. 17, 2019

Jim O’Rourke's To Magnetize Money and Catch a Roving Eye reviewed at Pitchfork

Dec. 9, 2019

75 Dollar Bill listed on the New Yorker's "The Best Music of 2019 and the Best Music of the Decade"

Dec. 4, 2019

Maria W Horn's Epistasis featured on NPR Music's "Viking's Choice"

Nov. 20, 2019

Andy Stott's It Should Be Us reviewed at Pitchfork

Nov. 18, 2019

Matthew J. Rolin's self-titled reviewed at Pitchfork

Nov. 18, 2019

Ryuichi Sakamoto's Thousand Knives Of reviewed at Pitchfork

Nov. 13, 2019